Manhattan Adult Entertainment: Brooklyn’s foulest

But instead of keeping the film moving, the excess of violence makes it so I have a hard time caring about anyone in the film.
Sal is a despicable scumbag, and although I feel for him—his wife is sick because of the mold in their house—I can’t seem to get past his terrible accent (seriously, he sounds more like he’s from Georgia’s finest with his southern twang). Then there’s Tango, whose situation is so cliché that I want to yawn. Eddie, on the other hand, is just plain pathetic and makes choices that don’t fall in line with the rest of his character (e.g., he often frequents a whorehouse, seeing the same prostitute and asking her to run away with him—I mean, sure, Gere was in Pretty Woman, but really?)

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